Introducing the incredible guest artists for MAD Weekend 2025! Meet the amazing talent Nazareth University’s Dance Program is partnering with to bring you the ultimate dance festival.
*Read more bios at the end of the page
DoubleTake Dance is in it's 15th year and has been featured in shows/ venues such as NYC SummerStage Festival, Battery Dance Festival, Carnival Choreographers Ball, Baltimore Invitational, Webster Hall, New York Fashion Week, Fuse TV, The NY Jazz Choreography Project, NYC Half Marathon, as well as several films, music videos, commercials and industrials. We have received choreographic commissions from Dancing Wheels company
Currently, [Vanessa Martinez and Ashley Carter] are faculty at Ballet Academy East, Ellison Ballet and Ballet Hispanico. We have also taught at Steps, Joffrey, Peridance, BDC, Ballet Arts...Other teaching credits outside New York include: Lines in San Francisco, South Bay Dance, Bay Area Dance, and Joy of Dancing in San Jose, Tony Williams and Green St in Boston, Tarrytown Dance and Round Rock Repertory in Austin; Punahou, UH, Mid Pac in Hawaii etc... , as well as many other schools both in the US as well as in Europe and Mexico.
Our choreography has been featured in NYC SummerStage, Battery Dance Festival, Carnival Choreographers Ball, Webster Hall, Dixon Place, Fuse TV, the Ailey Theatre, NYC Half Marathon, as well as several films, music videos, commercials and industrials. We have been awarded choreographic commissions, grants and our pieces have made the YAGP NYC finals on several occasions.
As performers our credits include artists/companies such as Broadway Asia, the New York Metropolitan Opera, Justin Timberlake, Pilobolus, Sia, XBox, Tap City, Daniel Gwirtzman Co, Nicki Minaj, and many more.
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- Photo by Claudio Rodriguez
Catherine Messina has danced throughout New York and Atlanta for Yoshito Sakuraba, Emmy Wildermuth, One Day Dance, and more. Her company, rogue wave, has performed across the country. Commissions include Sacred Heart University, Suttle Dance, One Day Dance, and Open Dance Ensemble. Grant support includes Puffin Foundation, the City of Atlanta, Metuchen Arts, Indie Space and residencies include Everwood Artist Retreat, Hambidge Cross Pollination Lab, Dragon’s Egg. Messina has experience in arts administration, university teaching, and technical production. Community work is important to her and seen through her creation of multiple dance festivals and running affordable class series. Follow @roguewaveroguewave
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- Photograph by Leighann Kowalsky
A proud Buffalonian, Marisa f. Ballaro is Artistic Director of Ballaro Dance. She centers community-based, collaborative projects creating and producing sensory-rich, multidisciplinary work. Most recently, Marisa was awarded a two-year/recurring $9,575 Impact Grant by the Cystic Fibrosis Foundation leading nation-wide projects. Marisa
received her MFA from Montclair State University while selected as Convocation Speaker for the College of the Arts; she graduated summa cum laude from SUNY Brockport. Her collaborative film "The Distance" was awarded Best Choreography (Experimental Dance & Music Film Festival, 2023); she presented Find Alternate Movement at the St. Louis Contemporary Dance Festival (June.)
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-Headshot by Michelle Hudson
Aldo is a Mexican artistic director, choreographer, and former dancer. He has participated in the creation and production of numerous ballets with companies and schools around Mexico, USA, and Guatemala. His expertise is not limited to the technical and artistic aspects of dance, but extends to collaboration and coordination of logistics, sound, set design and costume design of theatrical productions. His choreography and pedagogical approach promote diversity, equity, and inclusion as means to preserve the art of classical ballet by allowing it to evolve. Currently he is the Artistic Director of CNY Ballet, and professor of dance for Syracuse University.
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-Headshot by Marc Safran
Chris Collins is a Rochester, NY native. Mr. Collins was classically trained in ballet at the Timothy M. Draper for Dance Education here in Rochester. He then went to NYC to continue his training with the Joffrey Ballet School. While in NYC, he had the opportunity to work with artists such as Sonya Tayeh, Sidra Bell, Gelsey Kirkland, Daniel Albrecht, Glenn Edgerton, and many more. Furthering his education, Mr. Collins pursued his BFA at Point Park University.
Chris was fortunate to come back to his hometown to join the Rochester City Ballet and has been a Company member for 11 years. Throughout his professional career, Chris has had the fortune to guest teach and dance with many companies, a few including; Carolina Ballet Theatre, Springfield Ballet Company, and San Jose Ballet, to name a few. His favorite works that he’s performed include Terminus by Kate Skarpetowska, Adiemus and Rite of Spring by David Palmer, Serenade and Who cares? by Balanchine.
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Brianna López is a choreographer, performer, and educator with a B.A. in Dance Performance from San Diego State University and an M.F.A. in Modern Dance from the University of Utah. Her research on softness and speed, rooted in Gaga and contact improvisation, led to the creation of “The Naftali Method,” taught in California and Mexico. Her recent work, “Quietude,” premiered at the Tijuana Cultural Center during a residency at ConnectArte Espacio Multidisciplinario. Currently, she serves as an Enrichment Teacher with Achievement First, where she is the first dance instructor to introduce dance into the school curriculum.
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- Headshot by Skye Schmidt Varga
Rachel Daly (she/her) is a Queens based dance artist and social worker. Originally from Utica, NY, she began her dance training at Dancenter of Utica under the direction of Carrie Putrello. Rachel received her MSW from Fordham University and B.S. in Dance and Social Work from Nazareth College. She is a co-founder and choreographer for 32nd Pack, a New York based contemporary dance company. Rachel’s choreography has been presented across New York in places such as Times Square, Dixon’s Place, Balance Arts Center, Chain Theatre, Spoke the Hub, and the TADA Theater. She has performed professionally with the company in theaters like the Ailey Citigroup Theater, Callahan Theater, Dixon’s Place, etc. Rachel is also a teaching artist and has had the opportunity to teach at various studios, public schools, and colleges. Rachel has a holistic approach to dance education, often combining social-emotional learning and dance and is an advocate for dancer mental health.
Caroline Sherwood (she/her) was born and raised in Rochester, NY and began her training at Pittsford Ballet School. She went on to receive a Bachelors of Science in Dance Studies at Nazareth College. During this time, Caroline had the wonderful opportunity to perform works by Doug Varone and Dancers, Koresh Dance Company, Hettie Barnhill, and Heather Roffe. After graduating, Caroline moved to New York and co-founded 32nd Pack Dance Company. Her choreography was presented at the 2022 Winter Follies Festival and won the “People’s Choice Award”. This led the company to their first residency and full length show produced by Spoke the Hub. Since then, Caroline’s work has been seen at the Ailey Citigroup Theater, Callahan Theater, Chain Theatre, TADA Theater, and other venues across New York. In addition to the company, Caroline is also a local musician and artist.
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- Photograph by Jay Bradnova
(she/her) is a Southern, Queer, multiply-Disabled dance artist, access artistry
consultant, and writer who works on the stolen lands of the Kiikaapoi peoples (Kansas City, MO). Her choreographic, pedagogical, and advocacy work follows a Disability Justice framework, an intersectional lens which centers the most marginalized and celebrates the nuanced, full and exquisite experiences of disabled people and culture. She holds an MFA in Dance from Ohio State, an MFA in Poetry from The New School, and a BFA in Dance from Florida State. She has presented several works in venues across the country including Movement Research, DTW, Dixon Place, the Merce Cunningham Studios, the ALT Theatre, and Pink House, among others. April teaches in academic and community settings, most recently at the University of Wisconsin-Milwaukee, the University at Buffalo (SUNY), BalletMet, and the Ohio State University. She is a member of Creating New Futures’ (CNF) Disability+ Working Group, and a Disability Consultant to Rutgers University’s Integrated Dance Minor. April serves on the Artistic Advisory Board of The Field Center for Performance, Dance and Interdisciplinary Arts. Recent awards include the 2022 Inaugural Spring Peeper Creative Residency (VA), and a 2020/2021Dance/NYC Disability.Dance.Artistry. Dance and Social Justice Fellowship. @biggbiggsdance, aprilbiggs.org
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-Photograph by Tim Bohannon
From Guadalajara, Mexico, he teaches Ballet, Jazz, and Contemporary dance in the Department of Drama of Syracuse University, as a full-time faculty member and Assistant Program Coordinator for the Musical Theater BFA. He creates work for Syracuse University’s productions such as Shaina Taub’s adaptation of “As You Like It,”directed by Rodney Hudson and Clare Barron’s “Dance Nation” directed by Katherine McGerr. Panamá was in “West Side Story” in Cagliari, Italy as ‘Nibbles’ and served as Dance Captain for Francesca Zambello’s production, directed by Eric Sean Fogel, featuring original Jerome Robbins choreography. He is a founder, teacher, marketing director, and rehearsal director for Central New York Ballet.
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- Photograph by Brian Offidani